Every book begins with a single sentence. In this post, I break down exactly how I go about turning ideas into stories — from that first “what if?” to a fully shaped narrative with direction and emotional weight.
How I Turn a One-Sentence Idea Into a Full Story Read More »
Fifteen years after the crash that ended Midnight Arcade’s rise, this retrospective examines the band’s trajectory, the fatal accident, and the legacy that followed.
Fifteen Years After Midnight Arcade: The Night Everything Changed Read More »
Some writers outline. Some wing it. I live inside my characters. Here’s what being a method writer really means — and why immersion shapes everything I write.
Why I’m a Method Writer (and How It Changes My Stories) Read More »
A quiet, observational piece from Love on Wheels about the moment care begins to feel relational — not dramatic or declared, just slowly, unmistakably different.
When Care Becomes Something Else Read More »
A raw, first-person reflection on being a live-in carer — exploring boundaries, doubt, and the emotional weight of the first night in someone else’s home.
A quiet, honest moment before Love on Wheels begins — exploring what it really means to live alone with a disability, stuck between independence and isolation.
Before the Quiet Changed Read More »
I’m starting 2026 with a brand new story — Love on Wheels. Meet James Turner and Sarah Benson, the characters at the heart of my next emotionally honest, character-driven book. Here’s what the new year brings at CMeewrites.
New Year, New Characters — A New Story Begins Read More »
Most people think rewriting is easy — the story’s already there. But with Across the Brief, I’ve learned it’s harder than starting from scratch. Every page demands balance: staying true to the draft while layering in enough detail for readers to feel like they’re in the room. It’s not glamorous, it’s slow, and it’s tough — but it’s the only way to make a story worth telling.
Why Rewriting Can Be Harder Than Starting From Scratch Read More »
I’m not usually the one talking. My job is to listen. In court, that’s half the battle — listen to what’s said, what’s left unsaid, and what the jury’s faces do when both collide. But since I’ve been asked to introduce myself, here goes. I’m Tom Bennett. Criminal barrister. London. My days are lived in
“Introductions Aren’t My Strong Point” — By Tom Bennett Read More »
This might sound controversial, but for me, writing fiction is harder than writing non-fiction. People often assume it’s the other way around — non-fiction is full of research, fact-checking, and the responsibility to get things right. All of that is true. But here’s the difference: with non-fiction, the story already exists. With fiction, you have
Why Writing Fiction Is Harder Than Non-Fiction Read More »